She’s invisible in YouTube where fans hope she’ll make an appearance again with original renditions of well-known pop and rock songs. She’s working on new material for hopefully a new album and if you like to hear more, just tune into The Nick Show on WUSB on Tuesdays…!
(click image and scroll some until you find The Nick Show from 9-11 am. then click the speakers to hear the show. or click TUNE IN on the top right)

nick

With Mizar5 newly resurrected I figured it was about time to document my experience of the Steely Dan show at the Borgata Casino in Atlantic City (Friday, June 27th) since I wasn’t able to get it in before things went haywire.  Easy stuff first starting with the set list:

Show started around 8:10 PM…

  1. Opening medley of Everyone’s Gone To The Movies (instrumental), The Fez (instrumental), short Keith Carlock drum solo (maybe 20 seconds) before diving into…
  2. The Royal Scam with subsequent entrance of Donald and Walter to thunderous applause, Donald playfully acted as if taken aback by the welcome (and he may well have been), then seated himself at his keyboard and launched into the RS vocals
  3. I Got The News
  4. Show Biz Kids (without the “Lost Wages” refrain, but I liked it a lot that way)
  5. Everything You Did *
  6. Two Against Nature *
  7. Hey Nineteen (with the official Aretha Franklin reference from Donald plus Walter’s spoken interlude)
  8. Godwhacker (Donald on Melodica)
  9. Babylon Sisters
  10. New Frontier
  11. Gaucho * (Walter on lead vocal)
  12. Home At Last
  13. Parker’s Band (harmony lead vocals by Cindy Mizelle and Tawatha Agee)
  14. Josie
  15. Black Friday
  16. The Supremes’ Love Is Like An Itching In My Heart * (with band intro by Walter;  click here for the Supremes’ recorded version on YouTube)
  17. Peg
  18. FM (Donald & Walter then exit to a rousing ovation and much appreciative noise before returning for the encore…)
  19. Don’t Take Me Alive
  20. Kid Charlemagne
  21. Last Tango In Paris (performed by the band after Donald and Walter exit)

…Show ended around 10:05 PM

(Songs marked with * are ones I hadn’t heard live before.)

 

Now a few general impressions and details…

  • The concert had been listed as a sellout for at least a couple weeks ahead of time, but before the show started I noticed staff taking away a couple rows of chairs from the back of the section next to mine. I have no idea why. Seems to me that if the chairs were in place as usual and the show was a sellout, then they ought to have been necessary, but who knows?… This item seems to question the issue of the sellout as well. Even after the show was well under way it still seemed to me that there were several open seats nearby here and there, more than usual.
  • Walter seemed to wander the stage from song to song, sometimes playing in his usual spot near Jon Herington, other times standing behind and slightly to the right (from the audience’s perspective) of Donald.
  • There was very little chatter between songs. Even the band intros by Walter were short and to the point. Personally, I like it that way—more music.
  • During the spoken interlude of “Hey Nineteen” Walter kind of cut to the chase of the story with the wrap-up phrase “…and Bob’s your Uncle.”  It was unclear to me what percentage of folks may have “gotten” the reference.
  • I very much enjoyed Walter’s vocal take on “Gaucho.”  I would still love to hear Donald’s version as well someday, but gratefully accepted Walter’s rendition without reservation.
  • Keith Carlock wore a purple T-shirt with a round design of some kind on it and the phrase “Motown 1967.”
  • There were times when the spotlight slightly behind and stage left of Jon Herington would his large (maybe 25-30 ft. I’d estimate) silhouette on some drapery hanging out in the right of the event center hall
  • At the end of the nightI think it was right before they got into the encore, but it could have been between encore songsWalter complimented the audience on their enthusiasm and wished/urged them to go out to the casino after the show and “break the f***in’ bank.”  The crowd loudly cheered the sentiment, but I for one did not bother to try as frankly I’m just not that into gambling.  The only gambling I did for the night involved my transportation…

 

Of non-musical note, my car’s been having radiator trouble lately—not a good thing, especially in the summertime. I could have used a different vehicle, but I prefer the car because it has the better radio/CD player and gets better gas mileage. Since I was well aware of the potential overheating issue, I made sure I left home early enough to allow me to stop for a cooldown period if it became necessary. I also mapquested an alternate route to A.C., one which would allow me to take backroads through the moderately famous NJ Pine Barrens (see also Wikipedia) with mostly continuous driving at 50-60 mph and minimal traffic lights, stop signs, or slow speed zones.

For most folks there are two main roads headed east into A.C.—Route 30 and the A.C. Expressway (a toll road, though not a horribly expensive one). Going the way I had mapped out I would hit Route 30 first, so that’s what I went with (ideal since it almost takes you right to the Borgata anyway). My back roads itinerary actually got me to the last possible traffic light intersection where I could pick up Route 30 to get to A.C. That was the only place I had some concern as I sat at the red light watching my heat gauge creep up toward the danger zone. Luckily the light turned green and once I got moving again on Route 30 in the open (and cooler) shore air the gauge headed back down to a safer level. By the time I got situated in the parking garage, I was about two hours early for the show (an hour before the event center doors would open), but at least I was there.

At that point I relaxed and enjoyed some more of a novel I’ve been reading. A thunderstorm rolled through and provided some entertaining pyrotechnics which I watched for a short while too. When it got near 7:00 I headed in to the casino floor, found the event center and was soon admitted. More reading ensued for the next hour as the room slowly filled…

 

Worthy of very special mention is the fact that I got to meet “SteelyDoc” and see his Dangential license plates up close and personal. I knew that Doc was trying to sell an extra ticket (section 400, row 13, seat 6), but I didn’t know which side of that seat he’d be on, though, if indeed he would even be adjacent to it.  I also had no idea if he’d show up early or late(-ish) due to potential success or failure in finding a taker for the seat. My own seat was section 300, row 15, seat 15, only 7 seats (and one aisle) away. I occasionally glanced over that way, but I didn’t know what Doc looked like, so I was reluctant to “accost” anyone in that area. Only once the show began and he held high his famous license plates between songs did I know for sure where he was.

After the show I made it a point to immediately hop across the aisle to introduce myself, say “Hi” and shake his hand. Doc was very gracious and showed me his plates up close—very cool. When I mentioned who I was and that I “knew” him from the Hoops’ BlueBook, he immediately handed me an extra SD sticker. I then showed him my C$ sticker which I had only just received from Gina earlier in the day. I knew Doc was expecting one as well, but he said he hadn’t received his yet. If I’d only known how things were going to work out, Gina could have sent me Doc’s as well and I could have handed it to him right there. Anyway, I’m sure he must have received his by now. So a big THANK YOU to both Gina and Doc for the Dan stickers which now have both been to actual Steely Dan shows already.  How cool is that!

 

Stuck in the middle with...

 

The ride home was very pleasant and the cooler night air eliminated any need to worry about overheating on the way. Of more concern was the potential for meeting up with deer through the Pine Barrens, but I only saw a handful here and there feeding peacefully on roadside grass. I really liked the route I mapped out. I would definitely use it again if ever I get to do any more A.C. gigs, but then I’ve always been a backroads kind of guy.

 

Finally, although I very much enjoyed Tawatha Agee and Cindy Mizelle as the backing vocalists, I did miss Carolyn Leonhart, but of course I knew why she wasn’t able to perform. Let me now add my congratulations and best wishes to Carolyn and Wayne and a big Steely welcome to Vaughn.

 

Mizar5 would like to congratulate Carolyn Leonhart-Escoffery and her husband Wayne Escoffery with the birth of their baby boy Vaughn Jalen Escoffery who came into this world on July 8th at 8 PM.

With permission we proudly present you this little fella, who in this picture appears to be playing some air electric bass already…

vaughn2

We mentioned Steelydoc before, he won a C$ sticker with his WB and DF license plates. But Mizar5 is now proud to present yet another Steely Dan ‘pro’, because that’s what you might like to call these very devoted Steely Dan fans who, well… just read for yourselves what Carsten (47) from Danmark in Europe has to say! We start with a letter from May 29th and take it from there, showing you pictures of some familiar and unfamiliar Steely memorabilia and a review of a concert from the Steve Lukather’s No Jazz Tour. Carsten, of course, has also won a C$ sticker.

carsten(click images!) Way back when in seventy seven / eighty seven a friend introduced me to Aja which immediately blew me away and I have been a fan ever since. Shortly after I bought Katy Lied and Royal Scam. I was very fascinated by the incredible musicianship, the perfectionism, the amazing drum grooves, the horn arrangements, the bass lines, the fabulous guitar solos, I simply enjoyed every single note. At that time I had started playing the drums, and of course all of the great Steely Dan drummers have since been a big influence. Then came Gaucho and The Nightfly, both incredible albums, and I stayed an enthusiastic fan for some more years.

At that time I was also enjoying music by Lee Ritenour, Larry Carlton, Tom Scott, Dave Grusin, Little Feat, Average White Band, David Sanborn, George Duke etc. Still… Steely Dan was my main influence. From mid 80’ I slowly moved into a more jazzy period and Steely Dan went a little in the background. It was now Pat Metheny, Miles Davis, Wayne Shorter, Art Blakey and the Jazz Messengers, Herbie Hancock, Michel Camilo, various Big Band music etc. that had my main attention. Of course I loved Kamakiriad and Alive in America when they were released but it was not until 2000 when Two Against Nature was released that I kind of rediscovered Steely Dan. Then I wanted to know more.

From 2000 and ’til today I have tried to find out more and more about Donald and Walter, the music, the background, the lyrics. In my first period (late 70’s and ’til mid 80’s) it was only about the music, I tried hard but I didn’t really understand much of the cryptic lyrics. I had Katy Lied and Royal Scam, but none of the earlier albums. I believe that is the reason why I today still consider Katy Lied, Royal Scam, Aja and Gaucho as my “The magnificent four”.

Since 2000 I have studied the history since Bard College, bought all the remaining early albums, read Brian Sweet’s several times, Dandom Digest, Blue Book, Yellow, searched the internet to keep myself up to date, Mizar5, Radio Dupree, various outtakes, some bootleg recordings, bought all the Tribute CD’s that I have been able to find, searched at lot on related and earlier involved musicians… what have they been doing over the years, what are they involved in today and so on… so yes.. I am back as a 200% Steely Dan Fan, and for sure… I am DAN’ish.

I must admit that over the past two years or so, I have almost only been listening to all sorts of Steely Dan, bootlegs, tributes, early recordings etc. I will love to share my interest and enthusiasm for Steely Dan and related stuff. And I love the new era, 2vN, EMG, MTC, am thrilled about Circus Money and hopefully there will be a new Steely Dan album soon and some concerts in Europa. Nowadays, when I have a little spare time from listening to Steely Dan, it will most probable be Robben Ford, Mike Stern, John Scofield, Tower of Power or other various kinds of jazz.


=========================================================

Pictures: Zitadelle, Berlin (2007); A Circus Money stand at Carsten’s house; Is there gas in the car?; He Got The Steely Dan T-Shirt (and more).

carstenberlin circusmoneystand carsticker

carsten2Yesterday, Saturday June 28th, my brother and I went to see Steve Lukather and his band, we were both blown away by the incredible musicianship of the whole band. I had heard Stab In The Back but I hadn’t bought the album so we were both unprepared and had no special expectations, but Steve and the other band members simply blew us away, it was a fantastic concert. When Steve introduced “Stab In The Back” he said that it was dedicated to Donald Fagen and Walter Becker. After the concert both my brother and I bought the CD, talked to all the band members and got the CD signed (I send you a scanned copy), it was a great night. By the way, I saw TOTO (with the great Jeff Porcaro) back in 1989 in Copenhagen.

luke

dirkvervaet
Theo de Jong, Peter Hertmans, Lionel Beuvens, Daniel Stokart
(photo: © Dirk Vervaet; click image for All About Jazz review)

The radio can still be a medium to sweep you off your feet, off to different worlds, away from the day to day grind or mayhem one might like to escape from. While at work, some time ago, i was listening to Klara radio, a Belgian station for classical music and jazz. This particular evening, i was struck by what i heard and learned it was a Belgian guitarist by the name of Peter Hertmans. Next to touring with a variety in ensembles, he teaches guitar and music theory at the Royal Brussels Conservatory.

Via his label Mogno Music, i got in touch with him and he sent me his latest album Cadences. A review has been published today, in All About Jazz. Besides the music of Georg Wadenius, which i’ve listened to a lot lately due to my involvement in creating his MySpace site, there hasn’t been much jazz guitar coming my way tickling me enough to ‘investigate’ further.

But there is something about Peter Hertmans’ guitar playing, whether it’s his technical ability and ease or the depth in his compositions, that made me curious to hear more.
And i was not disappointed.

Daniel Stokart (soprano sax), Theo de Jong (bass) and Lionel Beuvens (drums), according to Hertmans, are stimulating musicians who pushed him to rethink his way of composing. The opening track, “Tritone Song,” leaves nothing to be desired as Stokart takes off in an exhilarant flight, backed by the rhythmic pulses of his fellow musicians until Hertmans takes over in a consolidating manner that sets the reoccurring groove throughout the entire composition.”


wbplate dfplate

A few days ago we had a little contest here in Mizar5 which prompted a response from Steelydoc in Pennsylvania, USA. If anyone deserved one of the C$ stickers, it would be him. He’s the guy quickly becoming as famous as the founders of Steely Dan and even noticed by them. Well, it’s these props actually that do the trick. They’ve been present at many concerts already! Click the images for a better view on these exclusive one-of-a-kind license plates.

plates
In return for sending him a C$ sticker, i got an SD one. Whilst Doc’s package is up in the air literally, the SD sticker’s already stuck to my car’s rear end.

wabdfbeacon.jpg
© 2008 Hernan Hernandez, Beacon show, June 20th. Click image.
Here’s a couple of reviews and comments regarding the Think Fast tour, by the way.
Tampa Calling
The Big Picture

rossif
(click image for his MySpace site)

He’s not a new or rising star, although chances are he’ll attract a whole lot of attention once his album will be officially released. Rossif Sutherland joined MySpace in 2006 and when i found his music by chance early 2007, his deep voice and songwriting skills blew me away at once.

Tracks like These Words, Miracle and Snow Covered Roads are classics already. They’re easy on the ear and thus very catchy, with lyrics that range from contemplative reflection to melancholic moods, approaching the human condition and emotions from sincere and heartfelt perspectives.

Recently he’s added two slightly more obscure tracks. Monkey Business is uptempo with a scent of playfulness in both music and lyrics, while Finish Line deals with the loss of a loved one in a beautiful haunting and appropriate orchestration. Answering Machine, the final song in the MySpace music player, is leaning towards the style that makes you want to play These Words, Miracle and Snow Covered Roads in repeat mode. So be careful if you visit Rossif’s page :-)


(updated June 22)
Click HERE for a Walter Becker interview in the Boston Herald. And check Radio Dupree for Walter Becker as DJ on Sirius. Serious!!!

circusmoney(click image) Kind of in a rush today, but wanted to mention the C$ bumper stickers arrived this morning. The first one will be sent to Pennsylvania in the US of A.
Steelydoc, a regular traveller in Blue, owns a collection of Steely Dan license plates and even has a Walter Becker plate. The C$ sticker, of course, fits perfectly well then!


And yes, there’s MUSIC when you enter Mizar5. We tickled Garageband and Walter’s new disc and had us a swaying good time. Must say mr. Becker’s tough to sing along with, so pardon me collapsing here and there in version 2 and 3. tried to smoothen out some of the glitches and the result is version 4 and 5 (grin) in the player below. there will be a version 6 because in version 5, i’m rushing in the first chorus, no can do :-)


ginacs




“The last place one would expect a girl with the exotic presence of Cyd Charisse to have come from is Amarillo, Texas. When she entered the world as Tula Ellice Finklea it may have seemed a long shot that one day her glamorous image would grace the covers of Life, Newsweek, Look, and every conceivable movie magazine on the world’s newsstands. But luckily for us Cyd’s father loved the ballet and encouraged his daughter to dance. And dance she did. She developed a tenacious work ethic and eventually jettéd her way into the respected Ballet Russe at the age of fourteen. Little Miss Finklea soon appeared in that company’s program as Felia Sidorova, a euro-ized combination of her last name and her nickname “Sid”. While traveling the world and growing up in a tutu, she was still an arabesque or two away from finding her true calling.”


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