Lorna, John Beasley’s wife, posted a link to a Billboard article in which John talks about his work and friendship with Walter Becker.
“I worked on several other projects he produced, and he always had interesting things to say and I started to realize that all those left turns in Steely Dan music, that this was the guy that maybe inspired all those kind of fast turns — left turns, I called them back then — the uneven phrases, maybe, or sort of a jump or modulation out of nowhere, that kind of thing. He was so creative and unusual that way. he wasn’t like your normal songwriting form or anything like that. He loved those surprises.”
Yesterday, the 25th of July, it was eight years ago that Hiram Bullock passed away at the age of 52. He had cancer. Hiram was a versatile musician who worked with the crème de la crème in the music industry, as a seasoned session guitarist and bandleader. Whether live and on tour, recording albums or featured in the band on television shows (Saturday Night Live and David Letterman), he was in for anything. Rock, blues, jazz fusion and ballads. Some prefer his chops as a guitar player, others praise his qualities as a singer. Think of Jimi Hendrix, Al Jarreau, Nat King Cole, Robert Kray and Frank Zappa in one voice. Yes, one of his fans compared Hiram’s singing to that of FZ!
John Beasley posted the cover of one of Hiram’s albums, Way Kool (1992), as a token of respect and remembrance.
“On the follow-up to his Atlantic debut, guitarist and producer Hiram Bullock pulled out all the stops and dove wholeheartedly onto the “funk” side of jazz-funk and left out the jazz. No, that’s not a bad thing. If anything, Way Kool feels a lot more like a funky rock record than anything else. With a handpicked cast of studio greats, Bullock set out to make a party record and he did it. From the screaming guitar work on “Da Alley,” to the deeply funky George Duke-styled keys and guitar wonk on “Show Me” (with its Prince-styled handclaps and big backing chorus), to the groovy bass pop and chunky chords on the title track, it’s all in there. On Way Kool Bullock showed that he couldn’t care less about what people thought he was or should have been doing, and he did exactly what he wanted — and this time it was making a primarily instrumental set (there are only three vocal cuts out of the ten here) that stayed close to rock and funk with up-to-the-minute production (that in retrospect sounds a bit dated). There is a jazzy instrumental ballad called “Never Give Up,” with some nice hand percussion from Don Alias and keyboard work from Dave Delhomme. But the strength of the set comes from Bullock’s guitar playing, and his screaming tone is the most enduring thing about it. Check the track that reveals its Prince influence not only in its instrumental attack but even in its title: “I No U.” The big funker “Wolfman” even contains scratching! The biggest surprise on Way Kool, however, is the cover of Lennon and McCartney’s “Dear Prudence” that closes the album. It’s modern, reverent, restrained, and quite beautiful. (Admittedly, it’s such a great song it would be tough to mess up.) Bullock’s guitar solo that takes over after the three-minute mark is killer. ~ Thom Jurek, All Music Guide”
Hiram Bullock and Jaco Pastorius were good friends. Here is their take on the Beatles song Hiram also recorded on Way Kool.
Hiram Bullock with the WDR Big Band – Foxy Lady.
Bassist and friend Will Lee talks about Hiram. And you have to wait for it. Donald Fagen is mentioned.
Yeah. It’s everything what Will Lee said in the clip above 😉
Hiram Bullock. His melody still lingers on.
Hiram Bullock played on Gaucho. On My Rival, to be precise. We’ll conclude this Mizar6 entry with that very song in a HD version.